Trent Reznor and Atticus Ross
When the Director David Fincher regarded composers to score "The Social Network," musical talent aside, needs someone "who understood the horniness being the outsider dweeb."Enter Trent Reznor."I can pick up on what he says Reznor I can relate to that," says with a laugh, Fincher's comment in production notes From cue film. opening along that play on any dialogue and sets a tone almost unbearably lonely, L'auteur Nine Inch Nails and his partner Atticus Ross created a sharp score, mostly electronic emotional ups the ante in the history of Facebook founder Mark Zuckerberg.
"One of the questions that have increased in my mind right off the bat was," because (Fincher) is looking for me to do this? ""the first marker that Reznor recalls." I can do I can ominous, dark, I can do unpleasant and tension, but I was sure how that applies to this film, until I got a reading by him--as he was trying to underline in a way that made less people in rooms talking and more about this emotional journey that this character comes through."
After that first meeting with Fincher and after viewing the first 40 minutes of the film, Reznor and Ross retired in their studio and wrote for three weeks. "I said David," Hey, I'm just going to paint a bunch of sketches for you, "says Reznor."Let us know if we're in the right ballpark. "
Although Reznor says that he fully expected to make a series of revisions, Fincher said the pair of them "nailed" on their first attempt. He placed the themes to the image.
"It was really build the world right," says Ross, who also scored "book of Eli".After the initial work, the duo spent some months editing and arranging pieces specifically for scenes.
Cue more demanding was the reinvention of dramatic "in the Hall of the Mountain King of Edvard Grieg" crucial to the scene of the regatta.
"There were some knees bloody on that one," says Reznor."That scene was the last thing shot for the film.(David) who fired the Henley Regatta.He came to us and said: ' I would like to have music before movies so I can get my mind the right mentality.""
Idea of Reznor to recreate the classic tune with a "synthesizer ' 70, ' Switched on Bach ' feel ... liquidation to emit just silly," she says."I went a little too far into it."After some retrenching, he and Ross came up with the right balance. "This was the most challenging in terms of hours and a slight air of desperation, "says Ross.More articles from eye on the Oscars: music preview
Photos revisit composers | Scoring docs a difficult balancing act | Hans Zimmer | Trent Reznor | A.R. Rahman | John Powell | Elliot GoldenthalContact Newsroom varieties at news@variety.com
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